(Day 5, MN) - Different Kind of Dance (ask)

[Arsele Girard]

Back in the air ducts, Arsele quietly takes off the grill to the duct she's in and aims her small shock pistol at the one remaining guard...

OOC: They are at short range, go for it. No defenses.

Arsele hit the guard in the back with a quiet zzzzt from her static pistol, the ball of energy hitting their back straight on.

Day 5, Museum, MN, Ranged (Light)/Agility to hit lone guard from behind with stun pistol, short range: 1eP+3eA+1eD 3 successes, 1 advantage


((OOC: Static pistol hits with Damage 2, Stun 10, Disorient 1))

[Dapper Dog]

The guard is knocked out and slumped onto the floor.

[Arsele Girard]

The guard is knocked out and slumped onto the floor.

Slipping out of the vent, Arsele closes it behind her before turning to the unconscious guard and dragging them to a nearby maintenance locker and stuffing them inside like in a hologame, closing the door and locking it after making sure the guard was tied up and gagged. She kept one eye on the door as she did this in case the other guard returned... but she only had two hands unfortunately, and keeping the static pistol in one hand while jamming a body in a locker with the other was tough.

[Dapper Dog]

The guard is successfully stuffed as she hears the other coming back just outside the door.

[Arsele Girard]

The guard is successfully stuffed as she hears the other coming back just outside the door.

Just in time. Locker closed she takes up a position behind a tank that could be a water heater or gas container, hiding on the side opposite its glowing access panel with her static pistol drawn and pointed towards the door.

[Dapper Dog]

OOC: Stealth at Hard.

[Arsele Girard]

OOC: Stealth at Hard.

Day 5, Museum, MN, hard stealth checck: 1eP+3eA+3eD 2 successes, 2 advantage, 1 Triumph

[Dapper Dog]

OOC: What do you want for the Triumph?

[Arsele Girard]

OOC: What do you want for the Triumph?

((OOC: I'm thinking this guard having keys or a keycard on them for the doors to the vaults/storage))

[Dapper Dog]

She now has the keys and avoided the other guards.

[Arsele Girard]

She now has the keys and avoided the other guards.

Walking out of the maintenance room with the keys and both guards knocked out, Arsele follows her mental map towards where Security Annex B was. The message had said the painting was there, but she was prepared for it to have been moved in the days since she'd originally gotten the message. She tried to keep out of the view of any cameras as she made her way down the hallway to the underground annex, turning the corner and seeing the door at the end of a narrow hallway. She gave one last look about for any security measures before heading down the hallway; Just one alert or alarm going off would make this all immeasurably harder, after all.

[Dapper Dog]

Thankfully it had not been moved. Her prize was right there.

[Arsele Girard]

Thankfully it had not been moved. Her prize was right there.

Unlocking the door with the guard's key, she walked up to the painting to see how big it was. After all, this was the part she was dreading more than anything to begin with, getting out with this painting. It certainly wouldn't fit through the ducts or such, so she'd have to use the stairs and a door, more than likely.

[Dapper Dog]

She could cut it out and take the painting itself or try to work with the framed picture it was about a meter tall and half so wide.

[Arsele Girard]

She could cut it out and take the painting itself or try to work with the framed picture it was about a meter tall and half so wide.

Just to make sure it was at full value, she took the full meter by half meter framed painting and tied it to her back with come soft climbing rope. She double hooked it around the painting than over her shoulders so she could have her arms free, and fortunately it was a small enough painting that she wouldn't need to turn to fit through any doors or most windows... but it was still obvious clunky and a bit heavy, and its pressing against her back limited her movement somewhat.

Leaving the room she made a beeline for the stairs as quietly as she could; The longer she was in here the more time there was for something to go wrong. Up the stairs at the access door to the museum proper itself, she paused and stopped to look through the crack in the metal doors to see if she could see or hear anything out on the museum floor.

[Dapper Dog]

OOC: Perception at Average flip a Destiny so (1eC+1eD).

[Arsele Girard]

OOC: Perception at Average flip a Destiny so (1eC+1eD).

Day 5, Museum, MN, Average Perception/Cunning check + boost from casting, DS flip for Challenge: 1eP+3eA+1eB+1eC+1eD 3 successes, 1 advantage

[Dapper Dog]

A patrol of droids moves by but she avoids them, she can make a dash for it and get out.

OOC: Coordination, Athletics or Stealth at Hard, destiny flip so (1eC+2eD)

[Arsele Girard]

A patrol of droids moves by but she avoids them, she can make a dash for it and get out.

OOC: Coordination, Athletics or Stealth at Hard, destiny flip so (1eC+2eD)

Arsele tries to make a break for it since she knows the way out, and all the shortcuts in the area by this point. And because droids often had sensors besides just audio. She'd still try to be relatively quiet, but speed and getting away was her main priority at this point.

Day 5, Museum, MN, hard athletics/brawn, flip for Challenge, bonus from casing of upstairs: 3eP+1eB+1eC+2eD 0 successes, 2 threat, 2 Triumph


((OOC: I have no idea what to do with a 2 Triumph, 2 Threat base failure ))

[Dapper Dog]

OOC: I will use the threat to add a future complication, 2 Triumphs... well what do you think is great for those, we can assume you get away despite failing.